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According to legends Lord Brahma revealed Bharatanatyam to the sage Bharata who then encoded this holy dance form in Natya Shastra.

The text that consists of thousands of verses structured in different chapters divides dance in two specific forms, namely ‘nrita’ that is pure dance comprising of finesse of hand movements and gestures, and ‘nritya’ that is solo expressive dance that comprises of expressions.

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According to some sources the Devadasi culture dating back to 300 BCE to 300 CE evolved under the auspices of the royals that saw the temple dancers called Devadasis, who were dedicated to serve the Lord as dasis or servants, performing the dance form.

Eventually the Devadasi culture became an integral part of rituals in South Indian temples.

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The 18 arms of the Shiva sculpture expresses mudras or hand gestures that are part of Bharatanatyam.

Association with Devadasi Culture Originating in Hindu temples of Tamil Nadu and nearby regions, Bharatanatyam soon prospered in other South Indian temples.

According to Russian scholar Natalia Lidova, ‘Natya Shastra’ elucidates several theories of Indian classical dances including that of Tandava dance, standing postures, basic steps, bhava, rasa, methods of acting and gestures.

One of the five great epics of Tamil Literature, ‘Silappatikaram’ (~2nd century CE) has a direct reference to this dance form.

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