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256pp., colour and b/white illustrations throughout. By examining the fashionable and overriding shapes of each period, the means of manufacture, and the materials available to craftsmen at the time, a picture begins to develop of how antiques are a part of history, and part of an ancient scene that has formed our current etiquette. * Customers outside Australia - This item will incur extra postage charges as it weighs over 1KG. Key shapes, styles, motifs and influences are brought to light, with reference, where relevant, to style variations unique to other countries.

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From the jacket flap: "The book is divided into periods of significant development in the arts and in society in general, and within each of these periods the main antiques categories are explored (furniture, silver, glass, metalware, porcelain, etc.).

Illustrated, loose-plastic protected dustjacket minimally edge-creased only.

May contain limited notes, underlining or highlighting that does affect the text.

Spine creases, wear to binding and pages from reading.

He gained sufficient funds to make purchases at the demolition sale of the Duke of Chandos's great mansion of Canons at Edgware in 1747, to purchase much of the surrounding estate in 1747 or 1748, reportedly for £7,700 ( 23 July 1748), and then to construct himself a new house on the site. Hallett’s portrait with his family, holding a plan of his new house, was painted by Francis Hayman in about 1756 (private coll., repr. He himself died on 17 December 1781; in his lengthy will, made and proved 8 January 1782, William Hallett of Canons left his house to his grandson.

He was described by his grandson as ‘an upholsterer at the corner of Long Acre and St Martin’s Lane…

[HE] [HI] [HO] [HU] William Hallett, Great Newport St, Long Acre, London 1732-1752, St Martin’s Lane 1752-1755. William Hallett (c.1707-1781) was apparently born in Somerset, the son of William Hallett of Crewkerne.

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